He could walk to the bank, the barber, to Crawford’s if he wanted a hot breakfast or a burger, to the bookstore, the post office. He knew his neighbors, the merchants, the rhythm in Boonsboro. No, no reason to hurry.

He glanced at the file Owen had given him. It was tempting to start right there, see what his mother and aunt had come up with. But he had other work to clear up first.

He spent the next hour paying bills, updating other projects, answering emails he’d neglected when in Richmond.

He checked Ryder’s job schedule. Owen insisted they each have an updated copy every week, even though they saw or spoke to each other all the damn time. Mostly on schedule, which, considering the scope of the project, equaled a not-so-minor miracle.

He glanced at his thick white binder, filled with cut sheets, computer copies, schematics—all arranged by room—of the heating and air-conditioning system, the sprinkler system, every tub, toilet, sink, faucet, the lighting, tile patterns, appliances—and the furniture and accessories already selected and approved.

It would be thicker before they were done, so he’d better see what his mother had her eye on. He opened the file, spread out the cut sheets. On each, his mother listed the room the piece was intended for by initials. He knew Ryder and the crew still worked by the numbers they’d assigned to the guest rooms and suites, but he knew J&R—second floor, rear, and one of the two with private entrances and fireplaces—stood for Jane and Rochester.

His mother’s concept, and one he liked a lot, had been to name the rooms for romantic couples in literature—with happy endings. She’d done so for all but the front-facing suite she’d decided to dub The Penthouse.