A book in the Harry Bosch series

THE CALL CAME AT MIDNIGHT. Harry Bosch was awake and sitting in the living room in the dark. He liked to think that he was doing this because it allowed him to hear the saxophone better. By masking one of the senses he accentuated another.

But deep down he knew the truth. He was waiting.

The call was from Larry Gandle, his supervisor in Homicide Special. It was Bosch’s first call out in the new job. And it was what he had been waiting for.

“Harry, you up?”

“I’m up.”

“Who’s that you got playing?”

“Frank Morgan, live at the Jazz Standard in New York. That’s George Cables you’re hearing now on piano.”

“Sounds like ‘All Blues.’”

“You nailed it.”

“Good stuff. I hate to take you away from it.”

Bosch used the remote to turn the music off.

“What’s the call, Lieutenant?”

“ Hollywood wants you and Iggy to come out and take over a case. They’ve already caught three today and can’t handle a fourth. This one also looks like it might become a hobby. It looks like an execution.”

The Los Angeles Police Department had seventeen geographic divisions, each with its own station and detective bureau, including a homicide squad. But the divisional squads were the first line and couldn’t get bogged down on long-running cases. When a murder came with any sort of political, celebrity or media attachment, it was usually shuttled down to Homicide Special, which operated out of the Robbery-Homicide Division in Parker Center. Any case that appeared to be particularly difficult and time-consuming-that would invariably stay active like a hobby-would also be an immediate candidate for Homicide Special. This was one of those.