Looking toward the open sea, Hully took in a vista that included a harbor channel dotted with small and large craft, powered by sail or motor. At the west, toward Pearl Harbor, a Dole cannery water tower painted to resemble a huge pineapple rose absurdly above green cane fields, like a World's Fair pavilion. Looking east, toward Waikiki, frond-flung boulevards pointed to Diamond Head. And looking inland, north, he could note the low-slung cityscape of red-tiled roofs and tin-awning-shaded stores rising in tandem with palm trees, pink stucco structures providing pale smears of color amid stark blossoms of red, white and blue; he could see, too, like pyramids piercing an oasis, the austere limestone edifices of the trading houses and banks of the Caucasian (haole) upper class… and the grandly, even ridiculously rococo Iolani Palace… and the Nu-uanu Valley, hugged by the ridges and slopes of the Koolau range….

He had soon come to know Honolulu as the tiny colonial city it was, a low-key paradise where your wake-up call was courtesy of a mynah bird, where you drifted down to a white beach for a sunrise swim, where the workdays were short and the evenings endless.

His father, not surprisingly, took a less romantic view: what O. B. — "Old Burroughs," the nickname Hully, his brother Jack and sister Joan all used for their father, after he took to signing his letters to them that way-saw as Hawaii's appeal was the casual island atmosphere, white sandy beaches and local dress that ran to untucked shirt, shorts and sandals.

At sixty-six, Hully's pop could have passed for fifty, a rugged man's man, with laughing squinty blue eyes set in a poker face the same oval shape as Hully's, only without the dark hair on top: the old man was bald but for iron-gray bristles at his temples. Ed Burroughs had long been a devout sunbather, and was tanned to a rich bronze worthy of Tarzan himself.