At length I grew tired and went back to the joys of the tavern, both the board and the bed. The only curious thing was that I found in my room a handbill from a Frenchman trying to solicit backers to export parchment to France and import wine into England. I read it with interest, then forgot it. The next day I returned to St Paul's and, this time, was successful.

It must have been noon, the time for the Angelus, and the bells of the cathedral clanging fit to break when I first caught sight of the fellow. He was dressed soberly in a dark brown jerkin with leggings of the same colour pushed into black soft leather boots. His grey cloak was of pure wool pushed back over his shoulders, yet it was his face which attracted me. His features reminded me of Benjamin; kindly, honest and open. Now you know Shallot's golden rule: It takes one rogue to know another, and a real rogue to recognise an honest man. This man was very honest. He had a number of handbills which he was distributing to everyone who passed so I took one nonchalantly and his kind, brown eyes smiled. He must have been about fifty summers old, his copper-coloured face was lined, his swept back hair silver-grey, but the moustache and the neatly clipped beard still showed traces of a golden youth.

I sauntered into a pie shop and carefully scrutinised the handbill which declared its distributor to be a foreigner: Jean Pierre Ralemberg, from Dijon, with a dwelling and warehouse in an alley off Bread Street. Basically, the man was a parchment-seller trying to raise good hard silver or gold to finance the export of parchment to Nantes and the import of wine. Now, I don't want to give you a boring lesson about the markets of the day, suffice to say that in 1520 hard cash was rare, most of it being tied up in fields, lands and houses, so it was natural for people like Ralemberg to tout for business.

It was an intriguing prospect and I was all the more curious why I had found one of his handbills in my chamber at the Golden Turk. On the one hand I suspected a trap, but on the other the man was patently honest. I sat in the pie shop kicking my heels and pondering the problem. The landlord of the Golden Turk didn't know about the handbill, so who had put it there? Was it some anonymous well-wisher or was I being manipulated?