Fifteen months from their wedding date, Charles’s story ends in a phlegm-filled fit of coughing, leaving his wife without the rounded belly she’s promised her people. Rumour whispers Charles has gone to the grave as godly and pure as he came from the womb, no woman ever breached by his sword.
Sandalia, queen of Lanyarch, belovйd to her people and no longer protected by a husband whose claim to the throne is incontestable, gathers her skirts and flees her adopted northern land with the threat of the Titian Bitch at her back.
SANDALIA, QUEEN OF LANYARCH
17 October 1563 Gallin, northeast of Essandia
She wears a sheepskin, not against biting wind, but to remind her deserted country that she has not forgotten it. The skin doesn’t suit a silver-shot gown encrusted with pearls, nor the mildness of the Gallic day; the sky lies against the horizon as pale and calm as it does directly overhead, autumn’s sunshine enough to make the day bright and delightful without blinding the youthful Lanyarchan queen.
She wears a sheepskin to remind the gathered throngs who call her name as she rides through Lutetian streets in a carriage behind six matched white horses that she does not come to their king merely a princess, but as a queen in her own right. A queen in exile, to be sure, but a queen loved by her people, and a queen whose faith supports her. She has forgone a crown; such an obvious symbol of power speaks of desperation, a crassness in announcing who she is. Sandalia needs not stoop so low.
But she wears the sheepskin, and no one who sees her on her wedding day will forget it.
She rides alone that day, and when the carriage stops before the cathedral entrance, it is her brother who steps forward to offer his hand. Rodrigo, who sent her north to Lanyarch as winter came on, and who made her a queen by doing so. He had not been there to see her crowned that day, and the softness in his eyes offered apology for that now, two years later, as she goes to make another match in the name of duty.