John Connolly


The Reapers

The seventh book in the Charlie Parker series, 2008

For Kerry Hood,

without whom I would be very lost indeed,

even with a map.


PROLOGUE

All things are an exchange for fire, and fire for all things, as goods for gold and gold for goods.

– HERACLITUS (C. 535-475 B.C.)


SOMETIMES, LOUIS DREAMS OF the Burning Man. He comes to him when the night is at its deepest, when even the sounds of the city have faded, descending from symphonic crescendo to muted nocturne. Louis is not even sure if he is truly asleep when the Burning Man comes, because it seems to him that he wakes to the sound of his partner’s slow breathing in the bed beside him, a smell in his nostrils that is familiar yet alien: it is the stink of charred meats allowed to rot, of human fats sizzling in an open flame. If it is a dream, then it is a waking dream, one that occurs in the nether-world between consciousness and absence.

The Burning Man had a name once, but Louis can no longer utter it. His name is not enough to encompass his identity; it is too narrow, too restrictive for what he has become to Louis. He does not think of him as “Errol,” or “Mr. Rich,” or even “Mr. Errol,” which is how he had always addressed him when he was alive. He is now more than a name, much more.

Still, once he was Mr. Errol: all brawn and muscle, his skin the color of damp, fertile earth recently turned by the plow; gentle and patient for the most part, but with something simmering beneath his seemingly placid nature, so that if you caught him unawares it was possible to glimpse it in his eyes before it slipped away, like some rare beast that has learned the importance of staying beyond the range of the hunters’ guns, of the white men in the white suits.



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