
“I’d look like a bellhop,” says Tony. “Anyway, it wouldn’t fit.”
“You ever consider spike heels?” says Roz. “You’d add four inches: ‘
“Be serious,” says Tony. “I want to be able to walk.”
“You could get a leg implant, “ says Roz. “A leg enhancement. Well, why not? They’re doing everything else.”
“I think Tony’s body is appropriate the way it is,” says Charis. “I’m not talking about her body, I’m talking about her ward”robe,” says Roz.
“As usual.” says Tony. They all laugh, a little boisterously. The wine bottle’s now half empty. Tony’s had only a few squirts of wine, mixed with Evian water. She’s wary of alcohol in any form.
The three of them have lunch once a month. They’ve come to depend on it. They don’t have much in common except the catastrophe that brought them together, if Zenia can be called a catastrophe; but over time they’ve developed a loyalty to one another, an esprit de corps. Tony has come to like these women; she’s come to consider them close friends, or the next thing to it. They have gallantry, they have battle scars, they’ve been through fire; and each of them knows things about the others, by now, that nobody else does.
So they’ve continued to meet regularly, like war widows or aging vets, or the wives of those missing in action. As with such groups, there are more people present around the table than can be accounted for.
They don’t talk about Zenia, though. Not any more, not since they buried her. As Charis says, talking about her might hold her on this earth. As Tony says, she’s bad for the digestion. And as Roz says, why give her the air time?
She’s here at the table all the same, thinks Tony. She’s here, we’re holding her, we’re giving her the air time. We can’t let her go.
