Meticulously researched; a refreshing new interpretation, say the reviews quoted on the quality paperbacks. Sensationalistic; overly digressive; marred by obsessive detail, say those not quoted. Tony’s face, owl-eyed and elf-nosed and younger than her face is now, goggles out from the back covers, frowning slightly in an attempt to look substantial.

In addition to a study desk she has an architect’s drawing board with a high swivelling stool that renders her instantly taller. She uses it for marking student term papers: she likes to perch up there on the stool, swinging her short legs, with the papers on a slant in front of her, and correct from a judicious distance, as if painting. The truth is that she’s getting far-sighted as well as the near-sighted she’s always been. Bifocals will soon be her fate.

She marks with her left hand, using different-coloured pencils, which she holds between the fingers of her right hand like brushes: red for bad comments, blue for good ones, orange for spelling mistakes, and mauve for queries. Sometimes she reverses hands. When each paper is finished she drops it onto the floor, making a satisfying flurry. To combat boredom she occasionally reads a few sentences out loud to herself, backwards. Seigolonhcet gnitepmoc fo ecneics eht si raw fo ecneics eht. How true. She has said it herself, many times.

Today she marks quickly, today she’s synchronized. Her left hand knows what her right hand is doing. Her two halves are superimposed: there’s only a slight penumbra, a slight degree of slippage.

Tony marks papers until quarter to eight. Sunlight floods the room, made golden by the yellow leaves outside; a jet flies over; the garbage truck approaches along the street, clanking ,-like a tank.



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