In 1974, perhaps the most tumultuous year -- for reasons shortly to be discussed -- in his signally tumultuous life, Dick contemplated writing a novelistic sequel to High Castle, but his inward repugnance at returning to an extended reimagining of the Nazi mentality prevented him from completing this project. The two chapters he did complete are published for the first time in this volume, as is the "Biographical Material on Hawthorne Abendsen" (1974).

Dick himself would come to hope, in the final decade of his writing life, that his own novels and stories could fulfill a role analogous to that of Abendsen for his readers: to alert them that the consensual reality that grimly governed their daily lives (the "Black Iron Prison," as Dick would come to call it in his philosophical journal, the Exegesis) might not be as impregnable as it seemed. This is not to say that Dick saw himself as a prophet or as one possessing an undeniable Truth of life (though Dick could sound -- temporarily -- convinced while exploring the possibilities of an idea that intrigued him.) On the contrary, Dick could be a relentless critic of his own theories and beliefs. He was also quite willing to satirize himself broadly (as the would-be mystic Horselover Fat) and his penchant for "wild" speculations in his autobiographical novel Valis (1981): "Fat must have come up with more theories than there are stars in the universe. Every day he developed a new one, more cunning, more exciting and more fucked." In his philosophical writings, Dick would don, dwell within, and then discard one theory after another -- as so many imaginative masks or personae -- in his quest to unravel the mysteries of his two great themes: What is human? What is real? What makes Dick such a unique voice, both in his fiction and -- equally -- in the nonfiction writings collected in this book, was not the answers he reached (for he held to none), but rather the imaginative range and depth of his questioning, and the joy and brilliance and wild nerve with which he pursued it.



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