He had once been told by Trabb, the cartoonist, that it was his eyebrows that had lost Ernie Price his chance of being Prime Minister. ‘They didn’t like his eyebrows,’ Trabb had said, blinking owlishly over his beer. ‘Why? Don’t ask me. I just draw. Because they looked bad-tempered, perhaps. They don’t like a bad-tempered man. Don’t trust him. But that’s what lost him his chance, take it from me. His eyebrows. They didn’t like ’em.’ Bad-tempered eyebrows, supercilious eyebrows, calm eyebrows, worried eyebrows—it was the eyebrows that gave a face its keynote. And it was the slant of the black eyebrows that had given that thin white face on the pillow its reckless look even in death.

Well, the man had been sober when he wrote those words, that at least was clear. That toper’s oblivion in compartment B Seven—the fugged air, the rucked blankets, the empty bottle rolling about on the floor, the overturned glass on the shelf—may have been the Paradise he sought, but he was sober when he blue-printed the way to it.

The singing sand.

Uncanny but somehow attractive.

Singing sand. Surely there actually were singing sands somewhere? It had a vaguely familiar sound. Singing sands. They cried out under your feet as you walked. Or the wind did it, or something. A man’s forearm in a checked tweed sleeve reached in front of him and took a bap from the plate.

‘You seem to be doing yourself very well,’ Tommy said, pulling out a chair and sitting down. He split the bap and buttered it. ‘There’s no chew in these things at all nowadays. When I was a boy you sank your teeth in them and pulled. It was evens which came away first: your teeth or the bit of bap. But if your teeth won you really had something worth having. A nice floury, yeasty mouthful that would last you for a couple of minutes. They don’t taste of anything nowadays, and you could fold them in two and put the whole thing in your mouth without any danger of choking yourself.’