I said "disappointed," but this is not altogether the word. My sentiments were at once quieted and exalted. They partook less of transport and more of calm enthusiasm of enthusiastic repose. This state of feeling arose, perhaps, from the Madonna-like and matronly air of the face; and yet I at once understood that it could not have arisen entirely from this. There was something else– some mystery which I could not develope—some expression about the countenance which slightly disturbed me while it greatly heightened my interest. In fact, I was just in that condition of mind which prepares a young and susceptible man for any act of extravagance. Had the lady been alone, I should undoubtedly have entered her box and accosted her at all hazards; but, fortunately, she was attended by two companions—a gentleman, and a strikingly beautiful woman, to all appearance a few years younger than herself.

I revolved in my mind a thousand schemes by which I might obtain, hereafter, an introduction to the elder lady, or, for the present, at all events, a more distinct view of her beauty. I would have removed my position to one nearer her own, but the crowded state of the theatre rendered this impossible; and the stern decrees of Fashion had, of late, imperatively prohibited the use of the opera-glass in a case such as this, even had I been so fortunate as to have one with me—but I had not—and was thus in despair.

At length I bethought me of applying to my companion.

"Talbot," I said, "you have an opera-glass. Let me have it."

"An opera-glass!—no!—what do you suppose I would be doing with an opera-glass?" Here he turned impatiently toward the stage.

"But, Talbot," I continued, pulling him by the shoulder, "listen to me will you? Do you see the stage—box?—there!—no, the next.—did you ever behold as lovely a woman?"