Then I sorted out the carbons, stamped on a by-line, put the stuff in a couple of big manila envelopes and rang for a boy to take them to the Gare St. Lazare. I went out into the other room and there was Robert Cohn asleep in the big chair. He was asleep with his head on his arms. I did not like to wake him up, but I wanted to lock the office and shove off. I put my hand on his shoulder. He shook his head. “I can’t do it,” he said, and put his head deeper into his arms. “I can’t do it. Nothing will make me do it.”

“Robert,” I said, and shook him by the shoulder. He looked up. He smiled and blinked.

“Did I talk out loud just then?”

“Something. But it wasn’t clear.”

“God, what a rotten dream!”

“Did the typewriter put you to sleep?”

“Guess so. I didn’t sleep all last night.”

“What was the matter?”

“Talking,” he said.

I could picture it. I have a rotten habit of picturing the bedroom scenes of my friends. We went out to the cafė Napolitain to have an aperitif and watch the evening crowd on the Boulevard.

3

It was a warm spring night and I sat at a table on the terrace of the Napolitain after Robert had gone, watching it get dark and the electric signs come on, and the red and green stop-and-go traffic-signal, and the crowd going by, and the horse-cabs clippety-clopping along at the edge of the solid taxi traffic, and the poules going by, singly and in pairs, looking for the evening meal. I watched a good-looking girl walk past the table and watched her go up the street and lost sight of her, and watched another, and then saw the first one coming back again. She went by once more and I caught her eye, and she came over and sat down at the table. The waiter came up.

“Well, what will you drink?” I asked.

“Pernod.”

“That’s not good for little girls.”



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