Today was one of those April days, still and overcast, that felt pregnant with some immense idea, and suggested, as I roamed across from one perspective to another, that this was merely a doldrums, and would last only until something else was ready to happen. Perhaps it was simply summer, and the certainty of warmth, the world all out of doors, drinking in the open air. The trees were budding, and that odd inside-out logic was evolving whereby the Park, just at the time it becomes hot and popular, shuts itself off from the outside world of buildings and traffic with the shady density of its foliage. But I felt the threat too of some realisation about life, something obscurely disagreeable and perhaps deserved.

Though I didn’t believe in such things, I was a perfect Gemini, a child of the ambiguous early summer, tugged between two versions of myself, one of them the hedonist and the other-a little in the background these days-an almost scholarly figure with a faintly puritanical set to the mouth. And there were deeper dichotomies, differing stories-one the ‘account of myself’, the sex-sharp little circuits of discos and pubs and cottages, the sheer crammed, single-minded repetition of my empty months; the other the ‘romance of myself’, which transformed all these mundanities with a protective glow, as if from my earliest days my destiny had indeed been charmed, so that I was both of the world and beyond its power, like the pantomime character Wordsworth describes, with ‘Invisible’ written on his chest.

At times my friend James became my other self, and told me off and tried to persuade me that I was not doing all I might. I was never good at being told off, and when he insisted that I should find a job, or even a man to settle down with, it was in so intimate and knowledgeable a way that I felt as if one half of me were accusing the other. It was from him, whom I loved more than anyone, that I most often heard the account of myself.