Titus had been twelve at the time of the marriage, but you could not move in a Roman street without seeing the lubricious graffiti, or hearing the ribald comments of the lower classes regarding the match; the views of his father’s peers were passed on as jokes to Titus by his gleeful contemporaries as they practised martial arts in the Campus Martius. Observing Lucius now, Titus saw a dry stick of a man who looked and acted as though sensual passion was something alien to his nature — hard to believe he had fathered a son of his own. Yet he had not been alone; Quintus had been dead set against the betrothal, and had let his younger brother know just how much he resented the replacement of his late mother by a girl younger than he, who he saw as a nonentity looking to bask in his father’s fame and fortune.

Lucius eventually looked from Claudia to Titus, the expression turning to a thin smile, tempered with a hint of curiosity, as if the older man was saying, ‘I know who you are, but what are you like?’ The stare was returned in a direct way that had the censor dropping his head into a reverential pose, this as Quintus began the prayers to Jupiter and Juno, the premier God and Goddess of the Roman pantheon. Titus, with a silent plea to Honos, God of chivalry, honour and military justice, looked up at the death-masks of his ancestors, lit from below by flickering oil lamps, with his father’s the most prominent in a line that stretched back hundreds of years. He felt a surge of pride, for in his world the family was everything — the means by which a man achieved immortality — and he prayed next to the Goddess of the Future, Antevorte, that one day his own deeds would elevate the Cornelii name and that when his descendants said prayers at this very altar before the mask of his own likeness, they would do so in the same spirit that he did so now.