
“No.” Judy is absorbed in something she’s doing on the computer. Light from the monitor glints off her bifocals.
Luke clears his throat for her attention. “Who is it then? Someone local?” Luke is tired of patching up his neighbors. It seems only fighters, drinkers, and misfits can tolerate the hard-bitten town.
Judy looks up from the monitor, fist planted on her hip. “No. A woman. And not from around here, either.”
That is unusual. Women are rarely brought in by the police except when they’re the victim. Occasionally a local wife will be brought in after a brawl with her husband, or in the summer, a female tourist may get out of hand at the Blue Moon. But this time of year, there’s not a tourist to be found.
Something different to look forward to tonight. He picks up a chart. “Okay. What else we got?” He half-listens as Judy runs down the activity from the previous shift. It was a fairly busy evening but right now, ten P.M., it’s quiet. Luke goes back to the lounge to wait for the sheriff. He can’t endure another update of Judy’s daughter’s impending wedding, an endless lecture on the cost of bridal gowns, caterers, florists. Tell her to elope, Luke said to Judy once, and she looked at him as though he’d professed to being a member of a terrorist organization. A girl’s wedding is the most important day of her life, Judy scoffed in reply. You don’t have a romantic bone in your body. No wonder Tricia divorced you. He has stopped retorting, Tricia didn’t divorce me, I divorced her, because nobody listens anymore.
Luke sits on the battered couch in the lounge and tries to distract himself with a Sudoku puzzle. He thinks instead of the drive to the hospital that evening, the houses he passed on the lonely roads, solitary lights burning into the night. What do people do, stuck inside their houses for long hours during the winter evenings? As the town doctor, there are no secrets kept from Luke. He knows all the vices: who beats his wife; who gets heavy-handed with his children; who drinks and ends up putting his truck into a snowbank; who is chronically depressed from another bad year for the crops and no prospects on the horizon. The woods of St. Andrew are thick and dark with secrets. It reminds Luke of why he wants to get away from this town; he’s tired of knowing their secrets and of them knowing his.
