Annie sometimes reflected that all those poor publishers who thought Miranda was bluffing or bullying had never understood Miranda's secret, which was supreme innocence. She was a good-looking woman: her face animated; her eyes, tapering at both ends, womanly and remote; and she had a slow, curling half-smile that people around her experienced as a moment of recognition, as if they'd been lavishly but secretly praised. When all was said and done, however, Miranda's greatest strength was a sublime ignorance that things could go other than she, in her benevolent excitement, had imagined them. She didn't worry about what the world thought of her or her tantrums, for the world existed only as imagined by her, and Miranda believed in her imagination the way others believed in God or capitalism: it was a force, and it was a force for good.

Annie, who was acutely aware of how the world viewed her, or at least of how she worried that the world viewed her, often watched her younger sister with wonder. Miranda was so unselfconscious that the older sister was deprived of even the bitter satisfaction of envy. In fact, Annie had always been proud of both her sister's beauty and her guileless, autocratic power.

On the other hand, Annie could not help but notice that her sister was extremely self-involved, and over the years, watching Miranda go through one disastrous love affair after another, she began to suspect that Miranda's preoccupation with herself was a kind of protection. Everywhere Miranda looked, she saw the world she insisted upon. This was her great tautological strength. It had fascinated and frustrated Annie since childhood. How could you ever win an argument with such a sister? How?

She asked herself this question again as they stood outside the cottage. The house hunched over the yard, shabby, uncomfortable, ill-tempered. Its closed windows, dead flies pressed like flowers beneath the heavy wood sills, were bleary, unseeing behind cataracts of grime.