
Neal had first gone to San Francisco back in 1970, seven years earlier, when the city was the counterculture capital. Sporting longish hair, denim, one tasteful strand of beads, and the hungry look of the fugitive, Neal was working point for Graham on your basic Haight-Ashbury runaway job. He located their particular flower child in an urban commune on Turk Street. She was the daughter of a Boston banker, and was trying hard to live down her capitalist heritage. Neal had shared a bowl of brown rice and a floor with her, gained her trust, and then ratted her out to Graham. Graham did the rest and Neal heard later that she ended up at Harvard. All betrayals should end so happily.
His next trip to the city was even easier. He was a mature twenty then, and one of the Bank’s clients wanted to film a television commercial in front of a sculpture in Battery Park. Turned out the sculpture was the work of a San Francisco artist who didn’t like to open his mail or answer his phone. Neal found A. Brian Crowe at a coffee house on Columbus. The artist dressed all in black, of course, and hid behind his cape when Neal approached him. The two thousand dollars in cash persuaded him to come out, though, and they sealed the deal over two iced espressos. A. Brian Crowe left happy. Neal hung around the city for a week, and he left happy, which made this an unusual assignment all around.
Neal figured you’d have to be a fool not to love San Francisco, and whatever else Dr. Robert Pendleton was or wasn’t, he was no fool. He was probably a man getting a little romance for the first time in his life and not wanting to let go of it, one of the lucky few who found a hooker who was also a courtesan, a true lady of the evening. She probably took presents instead of cash, or maybe a discreet check had been deposited in her account.
So Neal would write her another check, and that would be that.
Neal closed the file and cracked Fathom open. He fell asleep after a couple of chapters. The flight attendant woke him up to put his seat upright for the approach to San Francisco.
