Vane grimaced. “Difficult choice.”

Gerrard nodded. “Very much a ‘damned if I do, and damned if I don’t’ decision.”

Patience looked from one to the other. “Actually, the decision’s quite simple.” She caught Gerrard’s eye. “All you have to decide is whether you’re willing to risk that your talent is up to the task of painting a reasonable portrait of this young lady, against the certainty of being able to paint your Holy Grail.”

She tilted her head. “Put it another way-how much do you want to paint the Garden of Night? Enough to challenge yourself to creating a decent portrait of one young lady?”

Gerrard met her gray eyes, held her direct gaze. After a moment, he glanced at Vane. “Sisters.”

Vane laughed.

Even after Patience’s succinct reduction of the decision facing him, he might have refused, if it hadn’t been for the dream. He spent the evening with Patience and Vane, idly chatting about other things; when he parted from Patience in the hall, she kissed his cheek and whispered, “You know what you want to do, so do it. Take the risk.”

He’d smiled, patted her shoulder, then ambled home, wondering, examining the possibilities, but increasingly along the lines of how he might pull off a portrait of a vain flibbertigibbet without being overtly insulting.

Reaching his rooms in Duke Street, he climbed the stairs to his bedchamber. Compton, his gentleman’s gentleman, came hurrying up to divest him of his coat and bear it away to be brushed and accorded all proper respect. Gerrard grinned, undressed and fell into bed.

And dreamed of the Garden of Night.

He’d never seen it, yet it appeared so vivid, so enticing, so mesmerizingly dark. So full of that dramatic energy that as a painter he was most attuned to. There was danger and excitement, a hint of menace, and something even more profound, more elementally sinister lurking in its shadows.