Its windows and doors had gently rounded tops. The high-sloping roof, of a fine sooty pink, was almost Danish, and two ‘ducky little windows’ looked out of it, giving an impression that very tall servants lived up there. There were rooms on each side of the front door, which was wide and set off by bay trees in black and gold bindings. The house was thick through, and the staircase, of a broad chastity, began at the far end of a hall which had room for quite a number of hats and coats and cards. There were four bathrooms; and not even a cellar underneath. The Forsyte instinct for a house had co-operated in its acquisition. Soames had picked it up for his daughter, undecorated, at that psychological moment when the bubble of inflation was pricked, and the air escaping from the balloon of the world’s trade. Fleur, however, had established immediate contact with the architect—an element which Soames himself had never quite got over—and decided not to have more than three styles in her house: Chinese, Spanish, and her own. The room to the left of the front door, running the breadth of the house, was Chinese, with ivory panels, a copper floor, central heating, and cut glass lustres. It contained four pictures—all Chinese—the only school in which her father had not yet dabbled. The fireplace, wide and open, had Chinese dogs with Chinese tiles for them to stand on. The silk was chiefly of jade green. There were two wonderful old black-tea chests, picked up with Soames’ money at Jobson’s—not a bargain. There was no piano, partly because pianos were too uncompromisingly occidental, and partly because it would have taken up much room. Fleur aimed at space-collecting people rather than furniture or bibelots. The light, admitted by windows at both ends, was unfortunately not Chinese. She would stand sometimes in the centre of this room, thinking—how to ‘bunch’ her guests, how to make her room more Chinese without making it uncomfortable; how to seem to know all about literature and politics; how to accept everything her father gave her, without making him aware that his taste had no sense of the future; how to keep hold of Sibley Swan, the new literary star, and to get hold of Gurdon Minho, the old; of how Wilfrid Desert was getting too fond of her; of what was really her style in dress; of why Michael had such funny ears; and sometimes she stood not thinking at all—just aching a little.