She secretly loved a tune, and the impossibility of ever confessing this without losing hold of Solstis, Baff, Birdigal, MacLewis, Clorane, and other English restoration composers, sometimes taxed to its limit a nature which had its Spartan side. Even to Michael she would not ‘confess’; and it was additionally trying when, with his native disrespect of persons, accentuated by life in the trenches and a publisher’s office, he would mutter: “Gad! Get on with it!” or: “Cripes! Ain’t he took bad!” especially as she knew that Michael was really putting up with it better than herself, having a more literary disposition, and a less dancing itch in his toes.

The first movement of the new Solstis composition—‘Phantasmagoria Piemontesque’—to which they had especially come to listen, began with some drawn-out chords. “What oh!” said Michael’s voice in her ear: “Three pieces of furniture moved simultaneously on a parquet floor!”

In Fleur’s involuntary smile was the whole secret of why her marriage had not been intolerable. After all, Michael was a dear! Devotion and mercury—jesting and loyalty—combined, they piqued and touched even a heart given away before it was bestowed on him. ‘Touch’ without ‘pique’ would have bored; ‘pique’ without ‘touch’ would have irritated. At this moment he was at peculiar advantage! Holding on to his knees, with his ears standing up, eyes glassy from loyalty to Hugo, and tongue in cheek, he was listening to that opening in a way which evoked Fleur’s admiration. The piece would be ‘interesting’—she fell into the state of outer observation and inner calculation very usual with her nowadays. Over there was L.S.D., the greater dramatist; she didn’t know him—yet. He looked rather frightening, his hair stood up so straight. And her eye began picturing him on her copper floor against a Chinese picture. And there—yes! Gurdon Minho! Imagine HIS coming to anything so modern! His profile WAS rather Roman—of the Aurelian period! Passing on from that antique, with the pleased thought that by this time tomorrow she might have collected it, she quartered the assembly face by face—she did not want to miss any one important.