But, Helen realized, standing barefoot on the bank and gazing down at the water which flowed past, it was not blue at all. The realization would not have been so bad perhaps if she could have satisfied herself that it was gray or brown or gold or silver or any other color. The truth was that it was all those colors. And yet it was none of them. When she stooped down and scooped some drops into her palm, she found that they were completely colorless. And the water looked quite different from this close than it had looked a moment ago from the doorway of the hut. She looked up. Would it look different again from the branches of the old oak tree, which she had climbed many times? She hitched her skirts and climbed up to see.

Ten minutes later, Helen was back on the bank of the stream, lying on her stomach, her face propped up on her hands and suspended over the water. Her feet, crossed at the ankles, were waving in the air above bent knees. She was observing with all her senses. When she finally came to paint the scene, she wanted to be able to feel the water from the inside. She wanted to reproduce all the colors and shades, all the movement and life that were engrossing her full attention now. How wonderful nature wasl How could she possibly reproduce any of it with her brush without simplifying it beyond all meaning?

Her legs stopped moving suddenly and her back stiffened. She could feel prickles along her spine. There was something behind her. She had heard nothing, but she felt a presence very strongly. She hardly dared turn her head. Heaven knew what kind of vicious beast might be there just waiting to pounce at her smallest movement. She turned her head and glanced cautiously over one shoulder.