When Sanderson wanders through Central Park, he’s able to look beyond the half-million cubic yards of soil hauled in by its designers, Frederick Law Olmstead and Calvert Vaux, to fill in what was mostly a swampy bog surrounded by poison oak and sumac. He can trace the shoreline of the long, narrow lake that lay along what is now 59th Street, north of the Plaza Hotel, with its tidal outlet that meandered through salt marsh to the East River. From the west, he can see a pair of streams entering the lake that drained the slope of Manhattan’s major ridgeline, a deer and mountain lion trail known today as Broadway.
Eric Sanderson sees water flowing everywhere in town, much of it bubbling from underground (“which is how Spring Street got its name”). He’s identified more than 40 brooks and streams that traversed what was once a hilly, rocky island: in the Algonquin tongue of its first human occupants, the Lenni Lenape, Mannahatta referred to those now-vanished hills. When New York’s 19th-century planners imposed a grid on everything north of Greenwich Village—the jumble of original streets to the south being impossible to unsnarl—they behaved as if topography were irrelevant. Except for some massive, unmoveable schist outcrops in Central Park and at the island’s northern tip, Manhattan’s textured terrain was squashed and dumped into streambeds, then planed and leveled to receive the advancing city.