
I turned both palms upward.
"I am capable of handling anything which might arise."
"Hasan and I will accompany you."
I was about to protest when Ellen insinuated herself between them.
"I want to go, too," she said. "I've never been to one."
I shrugged. If Dos Santos went, then Diane would go, too, which made for quite a few of us.
So one more wouldn't matter, shouldn't matter. It was ruined before it got started.
"Why not?" I said.
The hounfor was located down in the harbor section, possibly because it was dedicated to Ague Woyo, god of the sea. More likely, though, it was because Mama Julie's people had always been harbor people. Ague Woyo is not a jealous god, so lots of other deities are commemorated upon the walls in brilliant colors. There are more elaborate hounfors further inland, but they tend to be somewhat commercial.
Ague's big blazeboat was blue and orange and green and yellow and black, and it looked to be somewhat unseaworthy. Damballa Wedo, crimson, writhed and coiled his length across most of the opposite wall. Several big rada drums were being stroked rhythmically by Papa Joe, forward and to the right of the door through which we entered-the only door. Various Christian saints peered from behind unfathomable expressions at the bright hearts and cocks and graveyard crosses, flags, machetes and crossroads that clung to almost every inch of the walls about them-frozen into an after-the-hurricane surrealism by the amphoteric paints of Titan-and whether or not the saints approved one could never tell: they stared down through their cheap picture-frames as though they were windows onto an alien world.
The small altar bore numerous bottles of alcoholic beverages, gourds, sacred vessels for the spirits of the loa, charms, pipes, flags, depth photos of unknown persons and, among other things, a pack of cigarettes for Papa Legba.
A service was in progress when we were led in by a young hounsi named Luis. The room was about eight meters long and five wide, had a high ceiling, a dirt floor. Dancers moved about the central pole with slow, strutting steps. Their flesh was dark and it glistened in the dim light of the antique kerosene lamps. With our entry the room became crowded.
