The surprise left when we entered a large high-ceilinged room at the rear of the house and I saw the wheelchair. He could have parked it in a trailer camp and lived in it if it had had a roof. The seat was roomy enough for Nero Wolfe. At the sides were shelves, trays and compartments. A large metal box at the rear, low, was presumably a motor housing. A fluorescent light was attached to the frame at Huck's left, shining on a magazine Huck was reading. Lewent said, "This is Mr. Goodwin, as I phoned you," and turned and went. Theodore Huck said nothing. Tossing the magazine on a table nearby, he pressed a button, and the footrest of the chair came up, smoothly, until his legs, which were under a large plaid shawl, were straight and horizontal. He pressed another button, and the chair's back receded until he was half reclining. He pressed another button, and the part his legs were on began to move 16 from side to side, not very gently. He closed his eyes. I lowered myself onto a chair and did a sweeping take of the room, which was his study, with the parts of the wall left visible by pictures and rows of books showing old wood panels, and then went back to him. The upper half of him was perfectly presentable for a guy his age, with a discernible waistline, good broad shoulders, a face with all features in proportion and correctly placed, and his full share of hair that had been dark but was now mostly gray. I had plenty of time to take him in, for he stayed put for a good five minutes, with his legs going from side to side on the moving frame. Finally the motion stopped, he pressed buttons, his legs went down and his torso up, and he reached to pull the edge of the plaid shawl above his hips. He looked at me, but I couldn't meet him because he seemed to be focusing about a foot below my chin. "I do that sixteen times a day," he said. "Every hour while I'm awake. It helps a little.