“Jargon!” growled Soames to himself.

The other’s boyish voice replied:

“Missed it, old bean; he’s pulling your leg. When Jove and Juno created he them, he was saying: ‘I’ll see how much thesefools will swallow.’ And they’ve lapped up the lot.”

“You young duffer! Vospovitch is an innovator. Don’t you see that he’s brought satire into sculpture? The future ofplastic art, of music, painting, and even architecture, has set in satiric. It was bound to. People are tired — the bottom’stumbled out of sentiment.”

“Well, I’m quite equal to taking a little interest in beauty. I was through the War. You’ve dropped your handkerchief,sir.”

Soames saw a handkerchief held out in front of him. He took it with some natural suspicion, and approached it to hisnose. It had the right scent — of distant Eau de Cologne — and his initials in a corner. Slightly reassured, he raised hiseyes to the young man’s face. It had rather fawn-like ears, a laughing mouth, with half a toothbrush growing out of it oneach side, and small lively eyes, above a normally dressed appearance.

“Thank you,” he said; and moved by a sort of irritation, added: “Glad to hear you like beauty; that’s rare,nowadays.”

“I dote on it,” said the young man; “but you and I are the last of the old guard, sir.”

Soames smiled.

“If you really care for pictures,” he said, “here’s my card. I can show you some quite good ones any Sunday, if you’redown the river and care to look in.”

“Awfully nice of you, sir. I’ll drop in like a bird. My name’s Mont-Michael.” And he took off his hat.

Soames, already regretting his impulse, raised his own slightly in response, with a downward look at the young man’scompanion, who had a purple tie, dreadful little slug-like whiskers, and a scornful look — as if he were a poet!