Candy Holliday was standing at the kitchen sink, cleaning up after making another batch of blueberry pies, when she looked out the window and saw Doc’s old pickup truck rattling up the dirt driveway way too early. Curious, she glanced at the clock on the wall over the kitchen table. Usually he wasn’t back home until ten thirty or eleven, preferring to linger over his coffee cup as long as possible. But here he was at a little past nine.

She knew right away something was up.

The kitchen wasn’t Candy’s favorite place to be; she had never considered herself much of a domestic sort. She would rather be outside, tending to her chickens, fiddling around in the barn, taking care of the gardens, or walking the fields behind the house. But when you had a blueberry festival to prepare for, you did what you had to do.

So to stay out of her way (or perhaps just to avoid the chores that always seemed to need doing around the farm), her father, Henry “Doc” Holliday, had gone into town that morning for coffee and donuts with “the boys”-William “Bumpy” Brigham, a barrel-chested semiretired attorney with a deep passion for antique cars; Artie Groves, a retired civil engineer who now ran a bustling eBay business out of a cluttered office over his garage; and Finn Woodbury, a former big-city cop who had segued into small-town show business, serving as producer for three or four community theater projects each year, including the annual musical staged at the Pruitt Opera House on Ocean Avenue.