He exited the bridge and soon found himself on Marina, cruising through the streets. The closely set, well-maintained, beautiful low-rise homes stirred some vestigial gene he must have picked up somewhere. Just driving through a neighborhood of real honest-to-God stand-alone homes always filled him with something like contentment, although it wasn’t quite that; it was more like hope that contentment and physical security were among life’s possibilities.

This was something Mickey didn’t have much personal experience with. He couldn’t remember ever having lived in anything but an apartment house, although his parents had apparently rented a small bungalow in the Sunset before their divorce. His sister, Tamara, said she vaguely remembered that house. But she was two years older than he was. Mickey had been only two when his mom had taken them from their father and moved out.

But Mickey didn’t get time to enjoy the Marina architecture this morning. A crowd was clogging the street up by the Palace of Fine Arts. At this location, he thought somebody was probably shooting a movie-the Palace had been a setting in both Vertigo and The Rock, among a host of other films. People loved the old domed structure that had been constructed for the Panama-Pacific Exhibition back in 1915. With its classical columns and its reflecting lagoon, the spot conjured both urban elegance and a hint of mystery. So he pulled into the Yacht Club parking lot, where he knew you could always get a spot at this time of the morning.

When Mickey got out of his car, he was surprised that the noises carrying from down by the Palace seemed distinctly ominous and angry. Someone was giving harsh orders on a bullhorn. He heard a full-throated chorus of discontent-maybe actors and extras emoting, but he didn’t think so.