THE PATH of Needles was a long, narrow cavern filled with sharp-tipped stalactites and stalagmites. Vanez took me to see it before we set off to practice in another cave.

"All I have to do is walk across?" I asked.

"That's all."

"It isn't much of a Trial, is it?" I said confidently.

"We'll see if you think the same way tomorrow," he grunted. "The stalagmites are slippery — one wrong move and you can impale yourself in the flicker of an eye. And many of the stalactites are precariously perched, hanging by a thread. Any sudden noise will result in some falling. If one hits you on the way down, it can cut clean through you."

Despite his warning, I still felt it was going to be easy. But by the end of our first practice session, I'd changed my mind.

We practiced in a cave where the stalagmites weren't as sharp or as slippery as those on the Path of Needles, where the stalactites wouldn't break off and fall without warning. Yet, mild as this cave was in comparison, I came close to spearing myself several times, rescued only by the quick hands of Vanez Blane.

"You're not gripping hard enough!" he growled after I'd almost gouged an eye out. I'd scratched my cheek on the stalagmite, and Vanez was applying spit to the cut, to stop the flow of blood (as a half-vampire, my spit was no good for closing cuts).

"It's like trying to hold on to a buttered pole," I grumbled.

"That's why you must grip harder."

"But it hurts. I'll cut my hands to shreds if I —"

"Which would you rather?" Vanez interrupted. "Bloody hands or a stalagmite through your heart?"

"That's a stupid question," I groaned.

"Then stop acting stupidly!" he snapped. "You'll cut your palms to ribbons on the Path of Needles — there's no way to avoid that. You're a half-vampire, so the flesh will grow back quickly. You have to ignore the pain and focus on your grip. There will be plenty of time after the Trial to moan about your poor little fingers and how you'll never play the piano again."