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IT WAS EXACTLY TWENTY-EIGHT hours later, Tuesday evening at half past ten, that I went to answer the doorbell and saw, through the one-way glass of the front door, a scared but determined little face bounded at the sides by the turned-up collar of a brown wool coat and on top by a fuzzy brown thing that flopped to the right. When I opened the door she told me with a single rush of breath, “You’re Archie Goodwin I’m Elma Vassos.”

It had been a normal nothing-stirring day, three meals, Wolfe reading a book and dictating letters in between his morning and afternoon turns in the plant rooms, Fritz housekeeping and cooking, me choring. It was still in the air whether I would have to find another bootblack. According to the papers the police had tagged Ashby’s death as murder, but no one had been charged. Around one o’clock Sergeant Purley Stebbins had phoned to ask if we knew where Peter Vassos was, and when I said no and started to ask a question he hung up on me. A little after four Lon Cohen of the Gazette had phoned to offer a grand for a thousand-word piece on Peter Vassos, a dollar a word, and another grand if I would tell him where Vassos was. I declined with thanks and made a counter offer, my autograph in his album if he would tell me who at Homicide or the DA’s bureau had given him the steer that we knew Vassos. When I told him I had no idea where Vassos was he pronounced a word you are not supposed to use on the telephone.

I usually stick to the rule that no one is to be ushered to the office when Wolfe is there without asking him, but I ignore it now and then in an emergency.



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