Pollack looked wildly around, considered making a break for the woods, but the others had spread out and he was grabbed and frog-marched back to his house. (Fortunately the door had been left unlocked. Roger had the feeling that they might have knocked it down rather than ask him for the key.) He was shoved abruptly into a chair. Two of the heaviest and least collegiate-looking of his visitors stood on either side of him. Pollack's protests - now just being voiced - brought no response. The woman and an older man poked around among his sets. "Hey, I remember this, Al: It's the script for 1965. See?" The woman spoke as she flipped through the holo-scenes that decorated the interior wall.

The older man nodded. "I told you. He's written more popular games than any three men and even more than some agencies. Roger Pollack is something of a genius."

They're novels, damn you, not games! Old irritation flashed unbidden into Roger's mind. Aloud: "Yeah, but most of my fans aren't as persistent as you all."

"Most of your fans don't know that you are a criminal, Mr. Pollack."

"Criminal? I'm no criminal - but I do know my rights. You FBI types must identify yourselves, give me a phone call, and - "

The woman smiled for the first time. It was not a nice smile. She was about thirty-five, hatchet-faced, her hair drawn back in the single braid favored by military types. Even so it could have been a nicer smile. Pollack felt a chill start up his spine. "Perhaps that would be true, if we were the FBI or if you were not the scum you are. But this is a Welfare Department bust, Pollack, and you are suspected - putting it kindly - of interference with the instrumentalities of National and individual survival."