Over the course of the next year, Mr. Crepsley taught me how to hunt and drink without being caught; how to take just enough blood to survive; how to hide my vampire identity when mixing with others. And in time I put my human fears behind me and became a true creature of the night.

A couple of girls stood watching Cormac Limbs with serious expressions. He was stretching his arms and legs, rolling his neck around, loosening his muscles. Then, winking at the girls, he put the middle three fingers of his right hand between his teeth and bit them off.

The girls screamed and fled. Cormac chuckled and wriggled the new fingers that were growing out of his hand.

I laughed. You got used to stuff like that when you worked in the Cirque Du Freak. The traveling show was full of incredible people, freaks of nature with cool and sometimes frightening powers.

Apart from Cormac Limbs, the performers included Rhamus Twobellies, capable of eating a full-grown elephant or an army tank; Gertha Teeth, who could bite through steel; the wolf-man — half man, half wolf, who'd killed my friend Sam Grest; Truska, a beautiful and mysterious woman who could grow a beard at will; and Mr. Tall, who could move as fast as lightning and seemed to be able to read people's minds. Mr. Tall owned and managed the Cirque Du Freak.

We were performing in a small town, camped behind an old mill inside which the show was staged every night. It was a run-down junkyard, but I was used to that type of venue. We could have played the grandest theaters in the world and slept in luxurious hotel rooms — the Cirque made a ton of money — but it was safer to keep a low profile and stick to places where the police and other officials rarely wandered.