
TWIN CITIES NOIR
Edited by Steven Horwitz and Julie Schaper
For Sylvia—olehasholiem


INTRODUCTION
Tales of Two Cities
Murder and mayhem are probably not the first things that come to mind when most people think of the Twin Cities of Minneapolis and St. Paul.
What comes to mind may be snow emergencies and sub-zero temperatures; Eugene McCarthy, Paul Wellstone, and Jesse “the body” Ventura; Dylan, Prince, and The Replacements; the Guthrie, Theatre de la June Lune, and Heart of the Beast; The Walker, St. Paul Cathedral, and The Mall of America; Mary Tyler Moore, Tiny Tim, and F. Scott Fitzgerald; Lake Harriet, Lake Como, maybe even Lake Wobegone, which, depending upon who you talk to, may or may not be real.
But not crime.
Everyone here has an opinion about what makes the cities different from each other and what ties them together. A type of social shorthand has developed over the years. Minneapolis is hip and St. Paul is working class. St. Paul is the political capital, Minneapolis is the cultural capital. St. Paul was built by timber money and Minneapolis from grain. There is some truth in these generalizations but the people who live here know it’s not as simple as that and it never has been.
You don’t have to look hard to find the darker underside.
St. Paul was originally called Pig’s Eye’s Landing and was named after Pig’s Eye Parrant—trapper, moonshiner, and proprietor of the most popular drinking establishment on the Mississippi. Traders, river rats, missionaries, soldiers, land speculators, fur trappers, and Indian agents congregated in his establishment and made their deals. When Minnesota became a territory in 1849, the town leaders, realizing that a place called Pig’s Eye might not inspire civic confidence, change the name to St. Paul, after the largest church in the city. The following verse appeared in the paper shortly after:
