The location was neither city nor country. There was neither hilltop panorama nor river view. Yet we were looking at the kind of high, blank walls that normally surround luxurious amenities owned by people who don't want the public knowing what they own. In case we doubted it, the heavy front door with its antique dolphin knocker and well-tended urns of formally clipped bay, announced that somebody lived here who felt like quality (not always the same thing as actually being it, of course).

I still said nothing, and was allowed to stay helping to unload the bales, while my dearest skipped up to the forbidding portal and disappeared inside. Eventually I myself was led indoors by a silent slave in a firmly belted white tunic, then passed through a traditional short corridor to an atrium where I could hang about until required. I had been labeled a supernumerary who would wait for Helena as long as needed: true. Apart from the fact I never abandoned her amongst strangers, I was not going home yet. I wanted to know where I had come and what happened here. Left alone, I soon obeyed my itchy feet, and set off to explore.

It was nice. My word, it was. For once taste and money had combined successfully. Light-filled corridors headed in every direction to gracious rooms painted with decorous, slightly old-fashioned frescos. (The house seemed so quiet I brazenly opened doors and looked inside.) The scenes were architectural cityscapes or grottos with idyllic pastoral life. The rooms housed padded couches with footstools, side-tables positioned for convenience, elegant bronze candelabra; the occasional statuary included one or two busts of the old unnaturally handsome Julio-Claudian imperial family and a smiling head of Vespasian, apparently predating his accession as Emperor.

I reckoned the place had been built in my lifetime: that meant new money. The lack of painted battle scenes, trophies or phallic symbols, together with the preponderance of women's chairs, made me guess it could be a wealthy widow's house. Objects and furniture were expensive, though chosen for use rather than purely decorative. The owner had money, taste, and a practical outlook.