It seems the Soviet Union has conducted an atomic test at a secret location somewhere inside its own borders. They have exploded a bomb in plain unpretending language. And our detection devices indicate this is clearly what it is-it is a bomb, a weapon, it is an instrument of conflict, it produces heat and blast and shock. It is not some peaceful use of atomic energy with home-heating applications. It is a red bomb that spouts a great white cloud like some thunder god of ancient Eurasia.

Edgar fixes today's date in his mind. October 3, 1951. He registers the date. He stamps the date.

He knows this is not completely unexpected. It is their second atomic explosion. But the news is hard, it works into him, makes him think of the spies who passed the secrets, the prospect of warheads being sent to communist forces in Korea. He feels them moving ever closer, catching up, overtaking. It works into him, changes him physically as he stands there, drawing the skin tighter across his face, sealing his gaze.

Rafferty is standing on the part of the ramp that is downhill from Mr. Hoover.

Yes, Edgar fixes the date. He thinks of Pearl Harbor, just under ten years ago, he was in New York that day as well, and the news seemed to shimmer in the air, everything in photoflash, plain objects hot and charged.

The crowd noise breaks above them, a chambered voice rolling through the hollows in the underbody of the stadium.

Now this, he thinks. The sun's own heat that swallows cities.

Gleason isn't even supposed to be here. There's a rehearsal going on right now at a midtown studio and that's where he's supposed to be, preparing a skit called "The Honeymooners," to be shown for the first time in exactly two days.



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