
Pressed in the crowded interior of the handbag and the tight warmth of the jeans pocket, the key and its copy are inert, silent, forgotten. All a key can do is lock and unlock its door; that’s all the function it has, all the meaning; it has a responsibility but no rights. It can lock or unlock. It can be found or thrown away.
This is history.
Once upon a time, in 1830, in 1848, in 1866, in 1918, in 1947, in 1956, stones flew. Stones flew through the air like pigeons, and hearts, too; hearts had wings. Those were the years when the stones flew, the hearts took wing, the young voices sang. The soldiers raised their muskets to the ready, the soldiers aimed their rifles, the soldiers poised their machine guns. They were young, the soldiers. They fired. The stones lay down, the pigeons fell. There’s a kind of red stone called pigeon blood, a ruby. The red stones of Roukh Square were never rubies; slosh a bucket of water over them or let the rain fall and they’re gray again, lead-gray, common stones. Only now and then, in certain years, they have flown, and turned to rubies.
