Christine was left in the midst of the stage to make a careful curtsy in her heavy, formfitting gown, over and over. Flowers, gloves, even hats, were tossed onstage at her feet.

From the box in which they were sitting, the Comte and Vicomte de Chagny watched Christine Daaé's bowed head as she made her third curtsy. Still the crowd roared and applauded.

"Quite a lovely woman. Very lush," mused Philippe, the comte, settling back in his seat. "It is no wonder the dancer La Sorelli never cared to introduce her to me during our attachment. Miss Daaé is her name? I wonder where she came from and how long she has been here. I have never seen her in the dancers' lounge, nor in the singers' lounge. I wonder where she has been hiding."

"Her father died some years ago," replied Raoul, his younger brother. "I do not know how long she has been here at the Opera House. I only learned she was here this week. I have not spoken with her in years."

"So it is no wonder that you insisted that you would attend tonight, without your regular companion of Mademoiselle Le Rochet."

Philippe noticed that Raoul had not taken his eyes from the dark-haired figure below. "I met Miss Daaé at the sea near Perros-Guirec some years ago… Do you recall that summer? You were there too, that first day I met her and her father."

"I am sure I would not forget such a lovely form if I had seen it before." No, indeed. He was not accustomed to passing by such lovely womanhood without finding a way to sample it. And an actress, of course, would be simple and easy for the picking… despite the growing strength of the bourgeois, who believed that with the Third Republic and the rise of their class, the actresses had miraculously become modest and moral.

A laughable assumption.

"We were younger then. She was but a girl. I saved her scarf from being blown away by the surf—oh, look at her! She looks as though she might faint!" Raoul stood from his seat as if to rush to her side.