Dalgliesh found it hard to keep awake in this rhythmic, somnambulant peace. He had always enjoyed contrast in art or nature and at Pentlands, once night had fallen, the pleasures of contrast were easily self-induced. Inside the cottage there was light and warmth, all the colours and comfort of civilised domesticity; outside under the low clouds there was darkness, solitude, mystery. He pictured the shore, one hundred feet below, where the sea was spreading its fringe of lace over the cold, firm beach; and the Monksmere bird reserve to the south, quiet under the night sky, its reeds hardly stirring in the still water.

Stretching his legs to the fire and wedging his head still more comfortably into the high back of the chair, he looked across at his aunt. She was sitting, as always, bolt upright and yet she looked perfectly comfortable. She was knitting a pair of woollen socks in bright red which Dalgliesh could only hope were not intended for him. He thought it unlikely. His aunt was not given to such domestic tokens of affection. The firelight threw gules on her long face, brown and carved as an Aztec’s, the eyes hooded, the nose long and straight above a wide mobile mouth. Her hair was iron grey now, coiled into a huge bun in the nape of her neck. It was a face that he remembered from childhood. He had never seen any difference in her. Upstairs in her room, stuck casually into the edge of a looking glass, was the faded photograph of herself and her dead fiancé taken in 1916. Dalgliesh thought of it now; the boy, in the squashed peak cap and breeches which had once looked slightly ridiculous to him but now epitomised the romance and heartbreak of an age long dead; the girl half an inch taller, swaying towards him with the angular grace of adolescence, her hair dressed wide and ribbon bound, her feet in their pointed shoes just showing beneath the slim flowing skirt. Jane Dalgliesh had never talked to him of her youth and he had never asked.