We used to argue that Stephanie could not have existed before the Sixties. Dope had brought her into being, summoned her out of the very ground. She was a coefficient of dope, part of an equation. And yet it was through her that Fat made his way eventually to God. Not through her dope; it had nothing to do with dope. There is no door to God through dope; that is a lie peddled by the unscrupulous. The means by which Stephanie brought Horselover Fat to God was by means of a little clay pot which she threw on her kickwheel, a kickwheel which Fat had helped pay for, as a present on her eighteenth birthday. When he fled to Canada he took the pot with him, wrapped up in shorts, socks and shirts, in his single suitcase.
It looked like an ordinary pot: squat and light brown, with a small amount of blue glaze as trim. Stephanie was not an expert potter. This pot was one of the first she threw, at least outside of her ceramics class in high school. Naturally, one of her first pots would go to Fat. She and he had a close relationship. When he'd get upset, Stephanie would quiet him down by supercharging him with her hashpipe. The pot was unusual in one way, however. In it slumbered God. He slumbered in the pot for a long time, for almost too long. There is a theory among some religions that God intervenes at the eleventh hour. Maybe that is so; I couldn't say. In Horselover Fat's case God waited until three minutes before twelve, and even then what he did was barely enough: barely enough and virtually too late.