They resembled holograms. What struck me was the oddity of a lunatic discounting his hallucinations in this sophisticated manner; Fat had intellectually dealt himself out of the game of madness while still enjoying its sights and sounds. In effect, he no longer claimed that what he experienced was actually there. Did this indicate he had begun to get better? Hardly. Now he held the view that "they" or God or someone owned a long-range very tight information-rich beam of energy focussed on Fat's head. In this I saw no improvement, but it did represent a change. Fat could now honestly discount his hallucinations, which meant he recognized them as such. But, like Gloria, he now had a "they." It seemed to me a Pyrrhic victory. Fat's life struck me as a litany of exactly that, as, for example, the way he had rescued Gloria.

The exegesis Fat labored on month after month struck me as a Pyrrhic victory if there ever was one -- in this case an attempt by a beleaguered mind to make sense out of the inscrutable. Perhaps this is the bottom line to mental illness: incomprehensible events occur; your life becomes a bin for hoax-like fluctuations of what used to be reality. And not only that -- as if that weren't enough -- but you, like Fat, ponder forever over these fluctuations in an effort to order them into a coherency, when in fact the only sense they make is the sense you impose on them, out of the necessity to restore everything into shapes and processes you can recognize. The first thing to depart in mental illness is the familiar. And what takes its place is bad news because not only can you not understand it, you also cannot communicate it to other people. The madman experiences something, but what it is or where it comes from he does not know.

In the midst of his shattered landscape, which one can trace back to Gloria Knudson's death, Fat imagined God had cured him. Once you notice Pyrrhic victories they seem to abound.

It reminds me of a girl I once knew who was dying of