Sometimes, though, exposure threats do bear investigating. We can never be too—

I stopped. I lifted the photos and squinted at them. Was that a faint line under each body? Part of a circle drawn in chalk and hastily erased?

“Do you have a better picture of this?” I asked, pointing at the line.

Jesse shook his head.

“What does the police report say about it?”

“As far as I know, nothing. I haven’t seen it myself, but my contact says it wasn’t mentioned.”

“Okay. But since it’s in a covered, unused area, the marks under the latest victim should still be there.”

“That’s what I’m hoping.”

All the magical races—witch, sorcerer, shaman, necromancer—had rituals that used chalk circles. The important part was the symbol presumably underneath these bodies. Once I’d noticed those chalk lines, I started picking up other very discreet signs of a true dark art ritual-flakes on the concrete that looked like dried herbs, a black smudge on the wall that I recognized as smoke from a burning brazier, an edge of silver, almost hidden in the latest victim’s clenched hand. A coin? An amulet?

“The cops must have seen that,” I said, pointing to the silver. “Or the coroner did.”

“I’m guessing yes, and I’m really hoping they’ll tell me what it is, but they may hold on to the information to weed out the killer from the cranks.”

I looked at the two earlier victims. One had her left hand fisted and the other’s right hand was palm down on the ground. Either could have been holding something.

“Who’s the client?” I asked.

“Me.”

When I glanced up, he looked faintly embarrassed. “See, that’s the problem with knowing Lucas. You get this urge to do pro bono work.”

“It’s called guilt.”

“No kidding, huh? I’m not a crusader, but every now and then something like this crosses my radar. A necromancer buddy with the Washington state police recognized signs of what looked like a real ritual. He can’t jump in without raising eyebrows, so he passed it to me.”