“You have property,” John interjected, demonstrating that he was still listening from behind his newspaper.

“Only a small bit of property,” Michael corrected, “which I am more than happy to leave for your children, since it was given to me by John, anyway.”

Francesca looked at her husband, and Michael knew exactly what she was thinking-that John had given him the property because John wanted him to feel he had something, a purpose, really. Michael had been at loose ends since decommissioning from the army several years back. And although John had never said so, Michael knew that he felt guilty for having not fought for England on the Continent, for remaining behind while Michael faced danger alone.

But John had been heir to an earldom. He had a duty to marry, be fruitful and multiply. No one had expected him to go to war.

Michael had often wondered if the property-a rather lovely and comfortable manor house with twenty acres- was John’s form of penance. And he rather suspected that Francesca wondered the same.

But she would never ask. Francesca understood men with remarkable clarity-probably from growing up with all of those brothers. Francesca knew exactly what not to ask a man.

Which always left Michael a little worried. He thought he hid his feelings well, but what if she knew? She would never speak of it, of course, never even allude to it. He rather suspected they were, ironically, alike that way; if Francesca suspected he was in love with her, she would never alter her manner in any way.

“I think you should go to Kilmartin,” Michael said abruptly.

“To Scotland?” Francesca asked, pressing gently against B-flat on the pianoforte. “With the season so close?”

Michael stood, suddenly rather eager to depart. He shouldn’t have come over in any case. “Why not?” he asked, his tone careless. “You love it there. John loves it there. It’s not such a long journey if your carriage is well sprung.”