On his left sat a Roman couple in love. Forbidden by law to kiss in public, they gazed, clung hand-to-hand, and exchanged trembling smiles. The young man extended his forefinger and traced the unmarred excellences of his girl’s lips. They responded, quivering. Barnaby could not help watching the lovers. They were unaware of him and indeed of everything else around them, but on the first visible and livid flash of lightning, they were taken out of themselves and turned their faces towards him.

It was at this moment, appropriately as he was later to consider, that he saw, framed by their separated heads, the distant figure of an Englishman.

He knew at once that the man was English. Perhaps it was his clothes. Or, more specifically, his jacket. It was shabby and out-of-date, but it had been made from West Country tweed, though not, perhaps, for its present wearer. And then — the tie. Frayed and faded, grease-spotted and lumpish: there it was, scarcely recognizable but, if you were so minded, august. For the rest, his garments were dingy and non-descript. His hat, a rusty black felt, was obviously Italian. It was pulled forward and cast a shadow down to the bridge of his nose, over a face of which the most noticeable feature was its extreme pallor. The mouth, however, was red and rather full-lipped. So dark had the noonday turned that without that brief flash, Barnaby could scarcely have seen the shadowed eyes. He felt an odd little shock within himself when he realized they were very light in colour and were fixed on him. A great crack of thunder banged out overhead. The black canopy burst and fell out of the sky in a deluge.

There was a stampede. Barnaby snatched up his raincoat, struggled into it and dragged the hood over his head. He had not paid his bill and groped for his pocket-book. The three countrymen blundered towards him and there was some sort of collision between them and the young couple. The young man broke into loud quarrelsome expostulation. Barnaby could find nothing smaller than a thousand-lire note. He turned away, looked round for a waiter, and found they had all retreated under the canvas awning. His own man saw him, made a grand-opera gesture of despair, and turned his back.



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