My entire body is shaking. I’m losing it. A day might be just twenty-four hours but sometimes getting through just one seems as impossible as scaling Everest.

TWO Needle and thread, flesh and bone Spit and sinew, heartbreak is home Your suture lines sparkle like diamonds Bright stars to light my confinement

  “Stitch” Collateral Damage, track 7


Aldous leaves me in front of my hotel. “Look, man, I think you just need some time to chill. So, listen: I’m gonna clear the schedule for the rest of the day and cancel your meetings tomorrow. Your flight to London’s not till seven; you don’t have to be at the airport till five.” He glances at his phone. “That’s more than twenty-four hours to do whatever you want to. I promise you, you’ll feel so much better. Just go be free.”

Aldous is peering at me with a look of calculated concern.

He’s my friend, but I’m also his responsibility. “I’m gonna change my flight,” he announces. “I’ll fly with you tomorrow.”

I’m embarrassed by how grateful I am. Flying Upper Class with the band is no great shakes. We all tend to stay plugged into our own luxury pods, but at least when I fly with them, I’m not alone. When I fly alone, who knows who I’ll be seated next to? I once had a Japanese businessman who didn’t stop talking to me at all during a ten-hour flight. I’d wanted to be moved but hadn’t wanted to seem like the kind of rock-star prick who’d ask to be moved, so I’d sat there, nodding my head, not understanding half of what he was saying. But worse yet are the times when I’m truly alone for those long-haul flights.

I know Aldous has lots to do in London. More to the point, missing tomorrow’s meeting with the rest of the band and the video director will be one more little earthquake. But whatever. There are too many fault lines to count now. Besides, nobody blames Aldous; they blame me.



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