Ceremoniously, Jabril put on his helmet, slid the visor down, took another wave for the cameras, and ducked under the machine’s perimeter. A hatch in the underside swung open, forming a short ramp. He disappeared inside, and the hatch closed. White vapour puffed from vents on the rim.

And then, without fanfare, on the stroke of noon, the machine lifted into the air. It moved in a straight vertical, without a wobble or a yaw. The news channels’ microphones caught and amplified a faint humming sound that rose to a whine as the disc ascended. I could see it directly now, rising above the wall and the tops of the trees. I stopped watching on the screen and raised my phone to record. Everyone around me did the same.

Up and up the machine rose, faster and faster, into the clear blue sky. A thousand feet, two thousand—I wasn’t thinking in metres at this point. At three thousand feet the machine was a shining dot. I wished I’d thought to bring binoculars.

The flash was so bright that I felt sorry for those who had.

There was a sound as if half a million people had simultaneously been punched in the gut. A moment later, a sound like thunder. Then screams.

I was still blinking at purple after-images when I spotted a black dot drop from the fading flare. A parachute snapped open, perilously low. It floated downward for a few seconds and passed out of view. I’d tracked it with my camera, open-mouthed. I turned the phone over and looked at the news screen, just in time to catch a figure landing and rolling, then standing as the parachute collapsed beside him. Mobbed, Jabril had time to take his helmet off and deliver a shaky smile before the technicians and medics bundled him away.