He walked towards that late chapel by the steps to the altar. Not much to see. Some fat white candles had burned down, none were burning now. People weren’t allowed inside this morning: Edward Marriner was at work out front.

Ned crossed in front of the altar and worked his way back down the other side. This aisle was from 1695, the map told him. He stopped to get his bearings: this would be the north side, the cloister was south, his father was shooting the west facade. For no good reason it made him feel better to work that out.

This was a shorter nave, hit a wall partway down. Ned found himself back in the main section, looking up at a stained-glass window. He found another bench near the last side chapel by the bell tower. Saint-Catherine’s, the brochure advised; it had been the university’s chapel.

Ned imagined students hurrying here to confession five hundred years ago, then back across the road to lectures. What did they wear to school in those days? He popped in his buds again, dialing Pearl Jam on the wheel.

He was in the south of France. Well, forgive him for not doing cartwheels. His father would be shooting like a madman (his own word) from now to the middle of June. The photographs were for a big-deal book next Christmas. Edward Marriner: Images of Provence, accompanying a text by Oliver Lee. Oliver Lee was from London but had lived down here for the last thirty years, writing (Melanie had told him all this) six novels, including some prize-winners. Star English writer, star Canadian photographer, star French scenery. Big-deal book.

Ned’s mother was in the Sudan.