
My remembrance of my dog, and his winter pelt, became "The Emissary," the story of a boy, sick in bed, who sends his dog out to gather the seasons in his fur, and report back. And then, one night, the dog comes back from a journey to the graveyard, and brings "company" with him.
My listed title THE OLD WOMAN became two stories, one "There Was an Old Woman," about a lady who refuses to die and demands her body back from the undertakers, defying Death, and a second tale, "Season of Disbelief," about some children who refuse to believe that a very old woman was ever young, was ever a girl, a child. The first story appeared in my first collection, Dark Carnival. The second became part of a further wordassociation test I gave myself, called Dandelion Wine.
We can surely see now, can't we, that it is the personal observation, the odd fancy, the strange conceit, that pays off. I was fascinated by old people. I tried to solve their mystery with my eyes and young mind but was continually astounded to realize that once upon a time they had been me, and some day up ahead I would be them. Absolutely impossible! Yet there the boys and girls were, locked in old bodies, a dreadful situation, a terrible trick, right before my gaze.
Pilfering from my list, again, I seized out the title THE JAR, the result of my being stunned at an encounter with a series of embryos on display in a carnival when I was twelve and again when I was fourteen.
