Gnatios took a couple of steps before he noticed Krispos had stopped. The patriarch turned back and asked, "Shall we get on with it?" He did such an exquisite job of keeping irony from his voice that it was all the more ironic for being less so.

Unable to take offense no matter how much he wanted to, Krispos followed Gnatios out of the narthex and into the main chamber of the High Temple. Seated within were the high secular lords and soldiers of Videssos and their ladies, as well as the leading prelates and abbots of the city. They all rose to salute the Avtokrator and patriarch.

The nobles' rich robes, brightly dyed, shot through with gold and silver thread, and encrusted with gems hardly less glittering than those that adorned the soft flesh and sparkled in the hair of their wives and consorts, would irresistibly have drawn the eye to them in any other setting in the world. Within the High Temple, they did not dominate. They had to struggle to be noticed.

Even the benches from which the lords and ladies rose were works of art in themselves. They were blond oak, waxed to shine almost as brightly as the sun, and inset with ebony and red, red sandalwood; with semiprecious stones; and with mother of pearl that caught and brightened every ray of light.

Indeed, the huge interior of the High Temple seemed awash with light, as was only fitting for a building dedicated to Phos. "Here," Krispos had read in a chronicle that dealt in part with the raising of the Temple, "the immaterial became material." Had he seen the phrase in some provincial town far from the capital, he never would have understood it. In Videssos the city, the example lay before him.