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A week or so later, Tom Riley came to see me again. By then the leaves had started to turn color, and I remember the clerks putting up Halloween posters in the Wal-Mart where I bought my first sketchpads since college... hell, maybe since high school.

What I remember most clearly about that visit is how embarrassed and ill-at-ease Tom seemed.

I offered him a beer and he took me up on it. When I came back from the kitchen, he was looking at a pen-and-ink I'd done - three palm trees silhouetted against an expanse of water, a bit of screened-in porch jutting into the left foreground. "This is pretty good," he said. "You do this?"

"Nah, the elves. They come in the night. Cobble my shoes, draw the occasional picture."

He laughed too hard and set the picture back down on the desk. "Don't look much like Minnesota, dere," he said, doing a Swedish accent.

"I copied it out of a book," I said. I had actually used a photograph from a Realtor's brochure. It had been taken from the so-called "Florida room" of Salmon Point, the place I had just leased for a year. I had never been in Florida, not even on vacation, but that picture had called to something deep in me, and for the first time since the accident, I felt actual anticipation. It was thin, but it was there. "What can I do for you, Tom? If it's about the business-"

"Actually, Pam asked me to come out." He ducked his head. "I didn't much want to, but I didn't feel I could say no. Old times' sake, you know."

"Sure." Tom went back to the days when The Freemantle Company had been nothing but three pickup trucks, a Caterpillar D9, and a lot of big dreams. "So talk to me. I'm not going to bite you."

"She's got herself a lawyer. She's going ahead with this divorce business."

"I never thought she wouldn't." It was the truth. I still didn't remember choking her, but I remembered the look in her eyes when she told me I had. And there was this: once Pam started down a road, she rarely turned around.