Even with his untrained eye Hollis could tell that the house, however imposing, was an ugly affair, uncertain of its identity, overblown, with all the discreet grandeur of a rooster puffing out its chest. It was as if the architect had thrown everything in his repertoire at the building in the hope that something pleasing to his client would stick. Over one hundred feet long, the walls were stuccoed in the English style and swathed in Virginia creeper. The vine-covered pergolas suggested an Italo-American villa, but the hipped and shingled roof was too steeply pitched for the effect to be convincing. The roof was interrupted at the sides by eyelid dormers from another stylistic epoch, and in the middle by twin gables that descended to a wide porticoed entrance. This central section looked as if it had been bolted on later, almost as an afterthought. Apart from its near symmetry, about the only thing the hybrid building had going for it were the exquisite formal gardens that rolled off in all directions.

As Hollis tugged on the bell-pull he spotted an elderly gardener observing him from beside a rose arbor, squinting beneath the brim of his straw hat, water arcing from the hose in his hand. There must be someone at home or he would have approached by now. Sure enough, there was the clatter of shoes on a wooden floor from inside the house, and the front door swung open to reveal a small, trim woman dressed in a maid’s uniform. Her long dark hair, laced with strands of gray, was pulled back tightly off her face. When she spoke, her voice betrayed a faint accent.

‘Good afternoon.’ Almost immediately, her hand went to her mouth. ‘O Dio, no…’ She had read it in his eyes.

‘Is there…I mean, are the Wallaces at home?’

‘Lillian. Where is she? Is she all right?’ Her eyes pleaded with him.

Procedure dictated that he speak to the family first, if they were present. ‘Are they here, the Wallaces?’