Abel lived in a modest cottage near the junction with Wireless Road. It was the house he had grown up in, the only house he had ever known. His father, an engineer with a New York firm, had moved with his wife and newborn son to East Hampton soon after the Great War to oversee the construction of a wireless telegraphy station on a plot just south of Cove Hollow Road.

By 1921 Henry Cole’s work was done, but East Hampton had weaved its spell on him. A keen amateur photographer, he secured a loan for a down payment on a narrow store on Main Street, and for the remainder of his life devoted himself to photographic portraiture. Abel was nineteen years old at the time of his father’s death, and it was natural that he take over the business. However, with money tight he was in no position to move out of the family home, and he had to content himself with entertaining a string of local girls on the plum-velvet Victorian couch in the shop, the one reserved for family portraits. With his dark, broken looks, his languid manner and quick wit, there was never any shortage of young women willing to test the springs with him.

His mother died quite unexpectedly of a stroke the day after the German army entered Paris. The two events were not necessarily unconnected. Sylvie Cole had spent the first eighteen years of her life in a small apartment off the Square des Batignolles in the 17th arrondissement of that city, before boarding a ship in Le Havre bound for New York.

The only son of an only son, destined never to meet his mother’s family from whom she was estranged, Abel found himself alone in the world at the age of twenty-three with an ailing business and a small shingled cottage on Highway Behind the Lots.